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Mustard " written during the Beatles' trip to India and " Polythene Pam ". All three of these Harrison demos were later featured on Anthology 3. He later explained that "we didn't need to write the band's name on the cover It is also prominent on "Maxwell's Silver Hammer" played using a ribbon strip [ clarification needed ] and "Here Comes the Sun". Pepper" and stating, "That the Beatles can unify seemingly countless musical fragments and lyrical doodlings into a uniformly wonderful suite The Beatles liked this effect and included it on the album. This section was taped separately to the first, and required the piano to be re-recorded by McCartney, which was done on 18 August. It was included in a rough mix of the side two medley, appearing between "Mean Mr. The original backing track to " Something ", featuring a piano-led coda,  and "You Never Give Me Your Money", which leads into a fast rock-n-roll jam session ,  have appeared on bootlegs.
The procession was led by Lennon, dressed in white, as a religious figure, Starr, dressed in black, as the undertaker, McCartney, out of step with the others, as a barefoot corpse and Harrison, dressed in denim, as the gravedigger. They were the most famous band in the world". The track is a suite of varying styles, ranging from a piano-led ballad at the start to arpeggiated guitars at the end. All three of these Harrison demos were later featured on Anthology 3. Fifty-four seconds into the song are 18 bars of lead guitar: The left-handed McCartney is holding a cigarette in his right hand, said to indicate an imposter and the license plate on the Volkswagen parked on the street is 28IF, meaning McCartney would have been 28 if he had lived. After the album was released, the number plate LMW F was stolen repeatedly from the car. The song ends with the memorable final line, "And in the end, the love you take is equal to the love you make". The medley was subsequently mixed again from scratch although "Her Majesty" was not touched again and still appears in its rough mix on the album. The Beatles liked this effect and included it on the album. Macmillan took six photographs, which McCartney later examined with a magnifying glass before deciding which of the shots would be used upon the album sleeve. It is the only original UK Beatles album sleeve to show neither the artist name nor the album title on its front cover, which was Kosh's idea, despite EMI claiming the record would not sell without this information. Following it are Lennon's " Mean Mr. The solos were cut live against the existing backing track in one take. McCartney has claimed that the band's dispute over Allen Klein and what McCartney viewed as Klein's empty promises were the inspiration for the song's lyrics. It is also prominent on "Maxwell's Silver Hammer" played using a ribbon strip [ clarification needed ] and "Here Comes the Sun". It was included in a rough mix of the side two medley, appearing between "Mean Mr. Apart from Harrison, the group are wearing suits designed by Tommy Nutter. The Moog is not merely as a background effect but sometimes playing a central role, as in "Because" where it is used for the middle eight. The tape box bore an instruction to leave "Her Majesty" off the final product, but the next day when mastering engineer Malcolm Davies received the tape, he also trained not to throw anything away cut a playback lacquer of the whole sequence, including "Her Majesty". Suddenly, I said, 'Can you play those chords backward? The TG console also allowed better support for eight-track multitrack recording, helping the Beatles' considerable use of overdubbing. He later explained that "we didn't need to write the band's name on the cover Mustard", while the final note of "Her Majesty" remained buried in the mix of "Polythene Pam". Martin provided an orchestral arrangement in collaboration with Harrison, who overdubbed a Moog synthesizer part on 19 August, immediately before the final mix. Mustard " written during the Beatles' trip to India and " Polythene Pam ".
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